Book Review: ALL THE NEWS I NEED by Joan Frank

All the News I Need
by Joan Frank
UMass Press, 2017
$19.95

Reviewed by Casey Reiland

The fear of aging is a common concern; our society stresses over it and the media highlights it as a negative process. Finding wrinkles and gray hair is a disastrous discovery, and there is always the worry of becoming too static. This cycle of life is natural, so why is growing older perceived as something to be ashamed of?

Joan Franks’ newest novel, All the News I Need, confronts this question by suggesting that these concerns have become too normalized and prevent people from believing fulfillment can be achieved after a certain age. Through the development of conflicting characters and the raw, poetic language, Frank captures the anxieties of aging and prods the issue from every angle until there is a satisfying acceptance, until readers peacefully come to terms with the ever-tugging of time and moves on.

The book centers on Ollie and Fran, two lonely people in their mid-sixties attempting to maintain a friendship while simultaneously engaging with and finally facing their vulnerability. Fran is an outgoing, indiscreet widow, while Ollie is a reserved and self-conscious gay man who has recently lost a lover. The clash of Fran’s and Ollie’s personalities is comical and endearing. The two of them create a list called, “The Rules of Aging,” a set of promises to ensure they will not act bitter towards the youth or allow themselves to grow careless with their looks, Ollie revealing his nervousness about having “strange body odor” and the two of them banning the phrase, You kids get off my lawn! from ever leaving their lips. Their banter is witty and blunt, keeping the reader grounded by the candid voices of the characters.

The language of this novel also forces the reader to be as rooted in the story as the characters themselves. The sentences are short and crisp, yet they are packed with images that heighten the reader’s senses. While Ollie and Fran hike through the mountains near their homes in San Francisco, the narrator illustrates the scene around them, describing, “Afternoon air like cream up here, sky a secret, shy blue as if surprised to find itself naked so soon.” The portrait feels almost like a flowery stanza: gorgeous and concise. Yet, the diction juxtaposes the concealed turmoil of the characters that they fail to vocalize. Frank depicts Ollie and Fran’s interactions to be relaxed and smooth, but there is also a restraint in their conversations, their true desires and terrors only appearing they are alone with their thoughts. The tension builds as each chapter switches between the two different voices of the characters, the shifts unsettling and highlighting anxiousness.

When Fran suggests that they travel to France together as a way to escape their mundane lives and to hopefully boost Ollie’s confidence, the easily identifiable trope of self-discovery begins to raise its head. Yet, Frank veers away from this easy trope by challenging the characters to push up against their flaws and scrutinize their insecurities. Fran admits that she feels isolated and struggles to connect with people, and Ollie can only see his fragility mirrored in the bleakness of the cities they visit. This cumulation of frustrating moments leads to a fight in the middle of a street where Frank is unapologetic with her characters, her words undressing their doubts about sex, self-acceptance, and mortality until they are naked and quivering in front of one another. Even when Ollie and Fran return home there is no promise that they will change, Frank exemplifying the universal struggles that humans face when it comes to admitting mistakes and weaknesses.

The rocks that Frank throws at her characters are large and brutal, but they force Ollie and Fran to reexamine their previous scars and repair themselves. This novel does not coddle its characters. It does not suggest that chasing an Eat Pray Love moment during hardships will bring gratification or happiness, rather, it emphasizes that the only way people can change is if they look internally and analyze their shame and fears. Age does not define our perseverance or stubbornness, it is our thirst for a fulfilling life that does. All the News I Need invites readers and characters alike to not mourn the loss of youth, but to find that sense of joy and juvenescence in others around them, encouraging people to modify their lives for the better and to thrive in their existence no matter the bleakness of circumstances.